About Kalaripayattu Training

Kalari training is traditionally carried out in an enclosure which is 21’ width and 42’ length. Such training grounds are constructed according to Vastu shastra and are considered sacred. The entrance faces the East and the place of deity is to the South West. The deity place has its seven steps symbolizing Strength, Patience, Commanding power, Posture, Training, Expression and Sound. Students attain the power to control the internal energy, breath, mental power and the power to focus by following the rituals and reciting mantras. Students are instructed not to sleep during the day time and are advised to sleep well at night. It is important that the students understand that Kalari is not only a means of self-defense but also a means to becoming determined and self disciplined.

EXERCISE ANGASADAGATHVAM (Leg Exercises). Training is Kalari commences with leg exercises. With 16 different exercises in this category, the student learns to grip the floor with his toes, to keep his balance and to focus while performing the exercises. Practicing the leg exercises everyday stretches the muscles well and improves the performance of the student. The movement during these exercises is from east to west and back while the Gurukkal (Instructor/Master) gives commands. The side commands of the Gurukkal, known as Vaithari are rhythmic and aid in timing of various movements. This basic training is necessary before advancing into the techniques of Kalari Payattu.

MAIPAYATTU – THE SPINE OF KALARIPAYATTU

Maipayattu is a pattern of exercises that integrates all categories of body exercises. Regular practice of Maipayattu results in controlled, flexible and graceful movements of the body and helps develop breath control (Pranayama), strength, flexibility and stamina. The movements have to be performed with a continuous flow of energy. In Maipayattu one seeks to achieve the softness of a cat and the swiftness of an antelope and can act even on a very restricted surface. Through these exercises, the student’s body becomes like a weapon and he is now capable of excelling in the use of the Kalaripayattu weapons also.

KETTUKARI (KOLTHARI)

Kolthari refers to the use of wooden weapons especially a stick about 5to 6 feet long. This is the first weapon to be taken for practice in Kalaripayattu. The stick training allows one to use it as powerful weapon of offence and defense. Stick fight is the preliminary phase to learn the art of fighting with a spear.

CHERUVADI

Cheruvadi is a 3 span step much shorter exercise regime but requires more care and precision. The movements are very rapid and blows are delivered and parurd in quicker successions. The practice of Cheruvadi calls for great ability of movement and about a 100 blows can be dealt with it in a minute.

OTTA (Curved Stick)

One of the most important weapons in Kalari is a wooden curved stick with the shape of an elephant tusk. It is important because it is linked to the knowledge of the vulenerable points (Marmas) of the body. Otta Kol is 18 to 20 inches long with a knob at the point end. The knob is used to thrust the Marmas during combats at close quarters. This weapon is taught only to students in advanced courses who are disciplined, skilled, devoted and trustworthy. Training of the metal weapon precedes this weapon. It is said “Otta payattuyal Urakkathum payattam” – which means a student who is well trained in Otta fight can fight even when asleep.

GADHA (MACE)

This heavy wooden weapon (4 to 9 kg) must be wielded by well built person. It is strictly followed that this weapon should not be aimed below the waist of the opponent. Obvious reasons for which can be found even in puranic stories. Balarama, Bheema and Dhuriyodhana were the greatest exponents of this weapon – using Gada as their chief weapon. Blows on vulnerable points of the body like temple and chest can be fatal.

ANKATHARI (Metal weapons)

Dagger

The dagger has a length of about one foot and is sharp on both sides. It is pointed at the end. It is used for slashing, cutting and prevention of attacks. No shield is used, blows being parried with the dagger itself. Cuts and thrusts can be made on any side and the slightest lack of attention on the part of the combatant could find his opponents dagger deep into his body.

UDAVAL (Personal Sword)

Udaval involves training in fight with sword. Attack and defense are done by sword only.

MAYURAVADIVU KUNTHAM

(Sword and Shield against spear). In Marapidicha, kuntham one is armed with a sword and a shield, while the other with a spear. Unlike in other combats where the opponents face each other with identical weapons, here different weapons are used. During wars combat would often be between two men armed different weapons This type of fight is a good example of how to deal with this situation. Usually the shorter man is at a disadvantage due to the length of spear. Therefore, the shorter has to exploit all the weaknesses of the opponent. One has to very careful while blocking the spear as it points at him from a longer distance

PULIANKAM (Sword and Shield)

The word Puliankam is derived from two words Puli meaning ‘lion’ and ankam meaning ‘fight’. Most of the techniques employed in Puliankam are derived from animal fights, particularly the cat–like wild animals. Like in all other types of combat, puliankam involves all important techniques of Maipayattu, especially the jumps.and flow of the body. The fighters identify themselves with animals by using animal-expressions. In this fight blocking and attacking often happens simultaneously. The sword and the shield symbolize lord Shiva and goddess Sakthi respectively.

KUNTHAM (Spear to Spear Fight)

KUNTHAM (Spear to Spear fight) In Kuntham, the fighters use only the spear. The sharp point of the spear is to attack various vulnerable points of the body. The defendant uses the spear to defend himself so the spear is used from both the sides. The spear can be also be used to cut away.

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KATHIYUM THALAYUM

Kathiyum Thalayum involves the most crucial techniques in the art of self-defense. One person attacks with a knife and other defends himself with the aide piece of cloth held with both hands in a peculiar way. This technique is very interesting to watch.

URUMI (Flexible Sword)

The flexible sword is double edged sharp weapon. It is a long flexible sword measuring 3 to 4 feet in length and sharp on both sides. One cannot handle such a sword unless he has mastery over body control exercises. This weapon was used by a warriors during mass encounter. One person skilled in the use of this weapon can attack several opponents at a given time. The use of this weapon is also highly dangerous for user himself because of its strangling nature.

KAITHALLU (Bare Hand Fight)

“Kai” means hand, “thallu” means hitting. Students face each other in pairs and exercise arm muscles by hitting and blocking. Leg kicks and elbow thrust however are also included in this. Practitioners have to take care of the distance between the students.

Ashta Vadivu (Animal postures)

‘Ashta’ means 8 ‘Vadivu’ means posture. There are basically eight animal postures used in Kalaripayattu. This is a very important feature in Kalari because it involves a lot of body movement that requires a good control of the body, focusing, concentration and balancing. Through these postures one also learns to control the breath

  • Gaja Vadivu (Elephant)
  • Simha Vadivu (Lion)
  • Aswa Vadivu (Horse)
  • Mayura Vadivu (Peacock)
  • Varaha vadivu (Wild Boar)
  • Kuduka vadivu (Cock)

GAJA VADIVU (ELEPHANT)

These are called Ashta Vadivukal
[ Eight Vadivs]. The first three of the
above-mentioned vadivus are judged
as the most effective ones.

SIMHA VADIVU (LION)

ASWA VADIVU (HORSE)

What each of these Kalaripayattu For instance, the snake posture gives the combatant enough room for quick
movement in any direction and a
powerful lunge forwards
stances exploit is the most
advantageous
aspect of the particular bird’s or
animal’s attack and defence techniques.

SARPA VADIVU (SNAKE)

MAYURA VADIVU (PEACOCK)

The peacock
stance – with spread-out arms – gives
him the benefit of maximizing his
body area to keep the enemies at
bay before launching an attack on
them,

VARAHA VADIVU (WILD BOAR)

 Breath control is considered
very important for the student to
maintain these stances with strength
and balance.

MAJARA VADIVA (CAT)

Ankathari

Dagger The dagger has a length of about one foot and is sharp on both sides. It is pointed at the end. It is used for slashing, cutting and prevention of attacks. No shield is used, blows being parried with the dagger itself. Cuts and thrusts can be made on any side and the slightest lack of attention on the part of the combatant could find his opponents dagger deep into his body.

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Kalari Training

KALARI TRAINING

Typically, Kalaripayattu training takes place in a kalari or arena. It is made by digging a rectangular pit (42 feet long and 21 feet broad) in the ground, six feet deep.The mud is compacted to form an even-levelled floor, and a thatched roof raised on two main pillars (21 feet in height and erected on the eastern and western sides of the kalari) covers it entirely. However, the kalaris where full-fledged duels are held are larger. They are usually 64 feet long and 32 feet broad. Soil is used to pat down the surface soil and prevent dust from rising. What is noteworthy is that cow dung was never used to plaster the floor as was customary in nearly every house in Kerala in olden times. Entrance door on the eastern side opens to a set of steps that leads down to the hall.Low parapet walls on either side of the entrance door serve as a perch for visitors and spectators. Rest of the sides are covered using woven coconut leaves. Such a kalari is also called Kuzhi kalari [pit arena]. There are two reasons for preferring this substructure: one, it ensures cooling of the body as the students engage themselves in the gruelling, heat-generating exercises; two, it lessens the threat of skin infection from bites of insects that inhabit the top soil. The Kalari’s where full fledged duels are held are larger. They are usually 64 feet longhand 32 feet broad.

POOTHARA

Typically, Kalaripayattu training takes place in a kalari or arena. It is made by digging a rectangular pit (42 feet long and 21 feet broad) in the ground, six feet deep.The mud is compacted to form an even-levelled floor, and a thatched roof raised on two main pillars (21 feet in height and erected on the eastern and western sides of the kalari) covers it entirely. However, the kalaris where full-fledged duels are held are larger. They are usually 64 feet long and 32 feet broad. Soil is used to pat down the surface soil and prevent dust from rising. What is noteworthy is that cow dung was never used to plaster the floor as was customary in nearly every house in Kerala in olden times. Entrance door on the eastern side opens to a set of steps that leads down to the hall.Low parapet walls on either side of the entrance door serve as a perch for visitors and spectators. Rest of the sides are covered using woven coconut leaves. Such a kalari is also called Kuzhi kalari [pit arena]. There are two reasons for preferring this substructure: one, it ensures cooling of the body as the students engage themselves in the gruelling, heat-generating exercises; two, it lessens the threat of skin infection from bites of insects that inhabit the top soil. The Kalari’s where full fledged duels are held are larger. They are usually 64 feet longhand 32 feet broad.

Poothara

CHUVADU

Kalaripayattu teaches five kinds of chuvadu or steps for the attack as well as
defence:

  • Aakka chuvadu
  • Neekka chuvadu
  • Chaatta chuvadu
  • Vatta chuvadu and
  • Neeta chuvadu

Aakka chuvadu involves placing one’s feet in certain specific positions to ensure stability. Neekka chuvadu implies planting one’s feet forward to confront an enemy or retreating for a successful escape. Chaatta chuvadu means jumping forward or backward quickly either to face the enemy or to flee.
Vatta chuvadu entails lifting one’s feet towards the front or back and turning. Neeta chuvadu suggests stretching one’s feet to the maximum possible extent. As can be reasonably surmised, attacks are more effective when one leg is thrust forward and the body is stretched rather than when the legs are placed in their normal position. All the techniques of Kalaripayattu involve the permutations and combinations of the various chuvadu.

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